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Amphipolis: Your Questions, My Answers ... Part Deux

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Who's buried at Amphipolis?

Yes, this was the first question not surprisingly ...

I don't know, nor do the archaeologists working there. Based on the evidence they have excavated and research in libraries, they currently believe - and on this I fully agree with them - that it was possibly started immediately before the death of Alexander, that the majority of the construction was complete within roughly a decade after his death, but final touches could have been added up to the last years of the 4th century BC.

The obvious answer is that it was most likely to have been built for Alexander, and either left empty when he was buried in Alexandria, or re-used for another Macedonian monarch - eg it could have became the tomb of Antigonus I Monophthalmus and the mausoleum of the Antigonids, for example.

I am wary of ruling anybody out, but Olympias is unlikely as she was buried near Pydna according to inscriptions, which is where she died. The fact that she was not mooted as a suggestion by the excavators is significant! She was unpopular in Macedonia, so her burial was probably arranged by her Epiriot family. These later inscriptions are discussed in a Hesperia article by Charles Edson, The Tomb of Olympias, available as a PDF here:


I would be delighted if it turned out to be a heroon-tomb of Hephaestion as that would also re-write history.

Roxanne was a leading candidate a few years ago, but the excavators no longer consider her likely.

The various admirals and other figures suggested are less likely but not impossible.

Nearchus was a candidate when it was simply thought to be a Lion Tomb without the colossal mound, but the huge size of the tomb now makes that extremely unlikely. Also, despite claims on the internet, Neartchus was born on Crete not at Amphipolis; we also have no idea when let alone where he died, as he is last attested to my knowledge in 312 BC at Gaza fighting Ptolemy.

The brothers Laomedon and Erigyius were also not important enough for such a huge tomb, and they are describes in sources as from Mytilene, where their father certainly originated. Laomedon features little during the campaigns of Alexander, but after his death according to Appian [Syrian Wars, 52]:
The first satrap of Syria was Laomedon of Mitylene, who derived his authority from Perdiccas and from Antipater, who succeeded the latter as regent. To this Laomedon, Ptolemy, the satrap of Egypt, came with a fleet and offered him a large sum of money if he would hand over Syria to him, because it was well situated for defending Egypt and for attacking Cyprus. When Laomedon refused Ptolemy seized him. Laomedon bribed his guards and escaped to Alcetas in Caria. Thus Ptolemy ruled Syria for a while, left a garrison there, and returned to Egypt.
We don't know what became of his after the coup of  Antipater. Erigyius probably died in Sogdiana, now northern Afghanistan, in 328/327 BC.

Cassander married Thessaloniki, Alexander's half-sister, and is possible but so are many others.

Philip III Arridaeus and Adea Eurydice II died / were forced to commit suicide by Olympias in 317  (see here), and they were later buried by Cassander with her mother Cynane at Vergina. See Diodorus (xix. 52) and Athenaeus (iv. 41):
And Diyllus the Athenian says, in the ninth book of his Histories, that Cassander, when returning from Boeotia after he had buried the king and queen at Aegae, and with them Cynna the mother of Eurydice, and had paid them all the other honours to which they were entitled, celebrated also a show of single combats, and four of the soldiers entered the arena on that occasion.
Cleopatra the full-sister of Alexander was given a beautiful funeral by Antigonus - who had probably been behind her murder, but since that took place at Sardes, it is likely her tomb was there too.

Leonnatus, a relative of Alexander's who had planned to marry Cleopatra in order to reinforce his claim to the throne of Macedon is possible but unlikely - although the Lion would have made a nice pun on his name.

Several of the leading candidates can be excluded, but who the body was is not yet certain.

What we learn from the caryatids regarding dating of the tomb?

Nothing that goes against the date already suggested by the excavators. As I pointed out in the last post, they in no way indicate an Augustan date. Also since there are many copies and variants of the Tralles-Cherchel caryatid type from the Hellenistic period onwards, one can argue that they copied a famous lost original, and Amphipolis is the best candidate for having been that original.

Could you please provide your timeline of events regarding: Construction of the tomb, it being used or re-used, its backfilling and the construction of the sealing walls. Not so much in terms of accurate dating, but more in terms of sequence of events: is the backfilling contemporary to the construction? Is the sealing wall contemporary to the back-filling etc. ?

This is my current working theory, but please not that both the ideas of the archaeologists at Amphipolis and mine have changed as new evidence is excavated:

It was started before or soon after the death of Alexander in 323 BC, probably as his tomb, possibly as his deified friend Hephaestion.

It was left empty when Ptolemy took his body to Egypt, possibly in the hope that they would bring him "home" to be buried there.

It was probably finished by the death of Antigonus I Monophthalmus in 301 BC.

It may have been left empty and served as a cult centre, or it may have been used by a successor once it became clear that Alexander's body was not coming back - for example once his new tomb the Sema or Soma was built in Alexandria, probably by Ptolemy II Philadelphus; see PhDiva: Alexander's Tomb(s) in Egypt


The soil back-fill and the walls that sealed each chamber were almost certainly contemporary; soil was probably used instead of concrete as it meant the tomb could be sealed and the roof supported, but not necessarily lost as would be the case with Roman concrete. The walls would have been necessary to hold in the soil, to stop it pouring out. I assume that there are small finds within the soil which will help date this - bits of pottery, dropped coins, etc - but I am not aware of them.

My guess is that the architecture was not strong enough to support the mound, and that after an earthquake it began to cave in, so the soil was used to support the structure.

The destruction of the superstructure was initially thought to be Byzantine iconoclasm, then coins were found in this destruction layer which were presented at the conference, and which I am pretty sure put this in the early 3rd century AD. So the possibility was discussed that the superstructure was used to dredge swamp land by the river to combat malaria, but this was also set aside.

I am asking because through informal statements made by Ms. Peristeri it has been implied that the back-filling and the sealing walls were protective measures against the looting of the tomb (and therefore contemporary to its construction?)

I do not think Prof Peristeri was trying to suggest that the sealing was contemporary to the construction. She is under a lot of pressure, and perhaps her words were misinterpreted?

It is possible that the tomb was filled to stop it collapsing further. And that soon after the superstructure was removed in order to lessen the weight bearing down on it, and that the plan had been to re-open it but if so this plan was abandoned.

I would like to draw a parallel to one early suggestion on how to construct a dome over the cathedral in Florence. The art of building domes had been forgotten, and someone suggested filling the whole building with soil, and building the dome over that. He thought that if one buried cheese in the soil, the mice would then moved all the earth out for them ... it didn't work out!

soil and diaphragm walls are later from the grave?, from the construction of the grave not seem to be place from the basic architect 

Yes, see above.

Please note that just as so many Richard Rogers buildings today seem to have the odd engineering issue, so did ancient ones ...

Vitruvius [II.2.8] discusses open air temples:
8. The HYPÆTHROS is decastylos, in the pronaos and posticum. In other respects it is similar to the dipteros, except that in the inside it has two stories of columns all round, at some distance from the walls, after the manner of the peristylia of porticos. The middle of the interior part of the temple is open to the sky, and it is entered by two doors, one in front and the other in the rear. Of this sort there is no example at Rome, there is, however, an octastyle specimen of it at Athens, the temple of Jupiter Olympius.
 ... fails to mention that the Olympieion in Athens was unroofed because it was never finished!

Also, there is a Roman engineer in Algeria who tried to build a tunnel through a mountain by starting at both ends and meeting in the middle. The plan didn't quite works out ... (see Roman builder ... whoops).

Hi, is it the case much more work went into the circular wall than the tomb itself? I mean, it's a wall of huge radius with tons of marble

That's a very interesting question, and I don't know the answer. We have enough ancient building accounts preserved to know that sometimes the long wooden beams needed for the roof could cost more than marble, as they needed to be imported from the Levant. At Delphi, we know that it cost more to bring the marble from the port to the sanctuary by road than it cost to bring the marble by ship to the port. For more on this I highly recommend looking up the work of Alison Burford, which are quite old but very good.

Yes it is harder to cut a circular edge on a block than a straight one. More than that, I cannot say.

Obviously limits to sensible speculation until it's been fully excavated, but are there parallels from elsewhere, whether Macedonia itself or the wider Hellenistic world, for the steps down and then the two (?) antechambers which require backfilling to deny access?

The steep steps down I find very unusual and don't know of parallels, and the only thing that springs to mind - other than Egyptian tombs - is the similarity of descending to, for example Hades, in Mystery Cults, the two not being mutually exclusive.

Macedonian tombs, for example at Vergina Tomb II, were covered over soon after the burial. This one does not seem to have been, and was stone rather than stucco, making it very unusual. The back-filling as I discussed in the last post, is probably later.

I have read on the web that one commentator is convinced that the tomb is Alexander's. He says that it took two years to complete it and then the body was brought from the East. He says that the body in Alexandra was just a mummy that Ptolemy grabbed. Basically he says the ancient accounts aren't true and are full of 'tales'. How should we regard the ancient texts that we rely on that relate to Alexander's burial site? I suppose we shall soon find out if this tomb changes history. If it is Alexander's that would create a huge public sensation. That would be GREAT to get the public - and kids - talking about history and archaeology.

I think anything that interests people in archaeology and history is wonderful but ... the overwhelming majority of ancient sources agree that Alexander's body remained in Alexandria through into the Byzantine period.

There was still a great deal of interest in Alexander during the Byzantine period - for example this late 5th century AD head was excavated at Ostia (and stolen from the museum, so if you find it, let me know) - but if his body was moved from Alexandria before the Arab conquest, it is very unlikely to have been put into the tomb at Amphipolis, and would probably have been taken to Constantinople.


Also, thank you so much for your wonderful blog - it's a great resource and a wonderful gift to us amateurs and enthusiasts.

You're welcome! But don't forget that the archaeologists at Amphipolis are the ones doing all the hard work!

One last question - do you expect the caryatids to be fully painted?

The Tralles-Cherchel figure from Tralles and now in Istanbul still has traces of paint, so they probably were painted originally. The Greeks tended to paint sculpture and architecture, although it became less fashionable to do so in the Roman period.

The Svestari tomb caryatids also still have a lot of paint, as the tomb was sealed but not filled with soil.



My question is about the caryatid’s face. The nose and nostrils seem to be uncommonly broad compared to those in Hellenistic sculpture. I have looked at many hellenistic statues, noses are narrow at the base. Also the caryatid’s eyes have a stretch and the mouth looks fuller. Is there a foreign influence here?

That's a very interesting question. Only one caryatid preserves the face, but she is missing her nose, so that all that's left is the 'shadow' ... and where the noise joins the face is always wider than the tip.

But looking at other Caryatids of this type - and this is the head of the Tralles-Cherchel type from Hadrianic Athens - I don't find the nose unusually wide. Ancient Greek women did not have access to American plastic surgeons, so they didn't have those tiny little button noses!

If you're asking if she could be African, I am wary of making statements about race based on a damaged sculpture ...

But I discussed the portrait of Septimius Severus, an emperor who was born in Roman north Africa here - he may be shown darker than his wife because his skin was darker, or because it was the convention to depict men as darker than women.








I'll answer more questions tomorrow ...

Alexander’s Armour | The Second Achilles

Amphipolis: More Questions, More Answers ...

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Hopefully this will answer the last of the current batch of questions, but the Ministry of Culture issued a new press release: here.

First the Elgin Marbles / Parthenon sculptures

This came up in the comments to my last Amphipolis Q&A. Back in 2003 I was critical of some Greek archaeologists. They're still not all perfect, but I have been far more critical of the British Museum (see here and here for example). In January 2013 I gave a talk at the Wallace Collection about the history of the Parthenon sculptures where I explained why I am in favour of a long-term loan to Greece, and how I thought this could be arranged. Just as Amphipolis is legally Greek but belongs to the world's heritage and is universal, so are the Parthenon sculptures. I'll go into greater detail in another post in the future, but the person who convinced me was Michaelis Lefantzis - the architect at the Acropolis, as well as the discoverer of the Amphipolis tomb (someone should give the guy a medal!). As the situation changed, my views evolved - the Parthenon sculptures may be carved in stone, but intelligent people's views should not always be.

you should talk about the caryatids in more detail and how they help on dating

To which I tweeted back "architectural sculpture tends to be lower quality than portraits and gods, so stylistic dating is risky & the architecture dates" - very little architectural sculpture was by leading sculptors, although the Parthenon and the Mausoleum of Halicarnassus are notable exceptions. The Amphipolis sculptures are of very good quality, and I will discuss them more, but I am always wary of dating architectural sculpture purely stylistically. It should be dated in conjunction with the architecture for which it was created. Architectural sculpture is usually linked to cult buildings, whether temples or theatres, and religious structures such as tombs, so it is often slightly archaising or old-fashioned to emphasise the antiquity of the cult or the dynasty.


As I said yesterday, there are traces of paint on the Caryatids. Also I am wary of overly proscriptive rules when it comes to dating. An American scholar years ago wrote a book about Greek sandals and dating; by her arguments these sorts of raised sandals would be Hellenistic, but they are also known from the Mausoleum of Halicarnassus which pre-dates Amphipolis!


This is the new diagram of the tomb the Ministry have released, and the Ministry spokeswoman has also confirmed the likelyhood of a fourth room. And denied that gold coins of Alexander were found!

a) What are the different dating methods one may use for sites like Amphipolis, or for the tombs like the ones at Aegae, and how accurate or uncertain they are?

Small finds such as broken pieces of pottery found in the foundations are the most usual method of dating, as obvious the building on top of them has to post-date them. Also coins are sometimes found in layers, and ideally one has literary sources and inscriptions too! Honestly dating in archaeology can be as much an art as a science, so this is why people publish conflicting articles.  

b) Do we have examples of large scale archaeological monuments which we only found out about after these have been excavated, as there was no historical reference (direct or indirect) to them?

I'm still caffeinating, so can't think of a Greek one off the top of my head, but we lost far more ancient sources than are preserved, so yes! And the best example is a whole ancient Chinese kingdom, about which we know nothing but amazing archaeological finds have been made in recent times.


c) There are many theories out there about the occupant of the Amphipolis tomb, some talk about Alexander despite the numerous references for his burial at Alexandria. Do we have examples in archaeology were historical references proved to be misleading?


Yes! The ancients were just as fallible as us! Vitruvius clearly made a mistake in his 'lesson' about Caryatids, and Pausanias often just repeated the mistakes Roman tour guides told him. BUT I tend to be suspicious of scholars who claim the ancient source was wrong but they are right ... and I tend to by default give the ancient source the benefit of the doubt until proven wrong. 

d) There was a nice article few weeks ago about "tales of tomb looting" (here in greek: http://www.thetoc.gr/politismos/article/istories-tumbwruxias-me-aformi-tin-amfipoli). In that article, Angeliki Kottaridi describes how the tomb of Phillip escaped looting, saying that after the plundering of many other royal tombs by the Gauls, Antigonus Gonatas reinforced the great tumulus. Is that based on a historical reference or is it an assumption (because I can't find a reference). What I found is that Pyrrhus became extremely unpopular among Macedonias for letting the Gauls do what they did (plus for leaving them unpunished, afterwards). Was that maybe a motivation for sealing at least the important Macedonian tombs, like the one of Amphipolis, and could this explain the assumed later date of the filling (compared to the date of its construction)? 

Yes, there are sources of Pyrrhus sacking Vergina, and archaeological evidence for the tumulus built there after the sack. Pyrrhus was a rival of the ruler of Macedonia, and since history tends to be written by the victor ...

I will reiterate what I've been saying all along about looting. Yes there has been looting at Amphipolis over the century, and yes I am aware that a Greek 'expert' has been claiming he knew the Lion Tomb had been recently looted. If he had evidence, he should have gone to the Ministry so they could do something. In fact, the site has been very well guarded for two years. The 'expert' has an agenda in promoting looting - which is a bad problem, but not at this tomb - in order to raise funds so that he can fly around the world talking about it at conferences. I prefer to do something more practical to combat looting, such as getting items sent back.

I think the back-filling at Amphipolis was more likely to be later, and due to structural issues with the tomb about to collapse than to prevent looting. 

e) Here are photos that came up recently after the Amphipolis excavation became front page news: http://prntscr.com/4o7nq0
These are supposed to be soldiers from WW1 period at the north of Greece, near Amphipolis, having some... fun with archaeological sites and skulls. In one of the photos we see an Amphipolis type on tomb entrace, which is walled up, like at Amphipolis (no idea which site is actually that). But walling up seems to have some common elements as the one we saw in front of the sphinxes at Amphipolis. Was that a common practice for Macedonian monuments?


That photo was taken in 1916 and is at the Imperial War Museum. Incidentally, a British officer working to free Greece from the Nazis during WW2 spent a lot of time in Macedonia and used his spare time to identify ancient sites, for example Vergina - he's better known as the archaeologist Nicholas Hammond. Not all British are bad!

Yes, most Macedonian tombs were sealed and buried, but the back-filling is very unusual. 

Do You think that this very tomb is much bigger than the three discovered chambers and that there could be another door in the last- wall, regarding to the size of the tumulus which is huge?

Hopefully I explained this one in yesterday's posts, but yes it probably had more chambers.

Aren't there scientific methods that could be used to absolutely date the find? I understand that carbon dating needs organic material to be applied, but there are other methods as well (according to wilipedia), such as "optically stimulated luminescence" (OSL) whicha can be used to date sediments (or the sand inside the tomb), if I understand correctly. Could something like this work and why hasn't this been done already? 

Carbon dating is very good, but one needs organic material for it to work ... not stone! There's one that works on terracotta, and which I assume is being used on the pottery - although it is distinctive enough and easy for experts to date the sherds, I would guess that the Ministry is making sure everything is double-checked. There are some issues with Carbon Dating at some periods, and it is not perfect, but if they find wood, it will probably be used.

a) there is a house in Amphipolis dated in the 2nd century BC, the painted walls of which remind a lot the structure of blocks forming the circular wall of the tomb. A photo is here:
http://files.spercheios.webnode.gr/200000273-f18fcf2899/amfipolis-ellinistiki-2.jpg




Thank you! I'd been looking for photos from Olynthus just because it was destroyed by Phillip in 348 BC, so the finds are dated to well before the tomb. Domestic architecture often imitated monumental architecture in stucco or paint. The best examples come from Delos.

b) Strabo mentions nothing about the tomb in his passage for Amphipolis. Is that enough to assume that the tomb was in a bad condition or possibly unrecognisable by the time he visited ( sometime between 27 BC - AD 14)? 

Possibly, but also his sections on Macedonia are highly fragmentary and not fully preserved.

c) the block sequence in the fortification wall of Amphipolis, which I assume is much older than the hellenistic house above, also reminds (a bit) the circular wall of the tomb. Photo here: http://www.losttrails.com/media/Greece/Amphipolis/amphipolis_MG_3240b.jpg

The idea of alternating courses of thick and thin blocks is not unusual, and was a popular decorative feature.

Should the danger of collapse not be avoided at any cost?

Yes.

How can technology help to assess the situation?

I can't discuss the work not released by the ministry.

What would be plan B?

B!?!?!? I think we might already be on Plan D or E ...

Why not try to enter digging down from the top?
Because going through the entrance is normal, except for Father Christmas and burglars? And we want to preserve the ceilings!


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I think that covers the vast majority of the questions?

To add to my comments about paint fading when exposed to the elements, this is the reconstruction of the facade of the Great Tomb at Lefkadia. It was a Macedonian tomb whose facade was buried soon after the funeral but ...


Whilst the architectural elements were bright, as were the guardians painted between the columns ... the metopes copy those of the much earlier Parthenon, and so are shown 'faded' as they would have been by this time.

Today In 454: Aetius Was Assasinated By Valentinian III

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Flavius Aetius is one of those fascinating Late Antique figures who was both a great general (dux) and a politician, the power behind the throne. He is sometimes known at the Last Roman, and is frankly far more interesting than the emperor he served.

Valentinian himself was assassinated the following year, possibly on the orders of Petronius Maximus avenging his wife's rape by the emperor. One of the assassins, Thraustila, was married to Aetius' daughter according to Additamenta ad chron. Prosperi Hauniensis, s.a. 455.

Obviously Aetius is best know as the man who saved the remains of the Roman Empire from Attila.

I very much enjoyed Ian Hughes' biography of Aetius: Attila's Nemesis: Kindle UK, Kindle US, etc - as well as his bios of Belissarius and other too often overlooked non-Imperial figures.



If you enjoyed this video by Adrian Murdoch, check out his book on The Emperors of Rome; Kindle UK, Kindle US, etc

Today In 455: Avitus Entered Rome

ISIS Seize Dura-Europos

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The account is confused, and presumably they have seized the whole site not just the early synagogue - including the Palmyran and Roman ruins and one of the earliest preserved Christian House Churches.

One of Oldest Known Synagogues Seized by ISIS - Middle East - News - Arutz Sheva:
The fate of the synagogue, which was discovered in 1932 and dated by an Aramaic inscription to 244 CE, remains unknown.
Other casualties of the brutal Islamic group in the Mosul area were the tombs of the Jewish Biblical prophets Jonah and Daniel in July; Jonah's tomb reportedly dated from the 8th century BCE.


As far as I am aware the frescoes are in Damascus Museum? And most of Damascus Museum's collections were packed up and put into storage the summer before last.

I can't find any info in either Arabic or English on the Ministry of Culture's web site, although Palmyra continues to be looted (see most recently).


Update - and I appreciated this reminder:



Because Sometimes People Can Be Annoying ...

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Because we can all do with a smile on a Monday morning ...
And remember the first five days of the week are the hardest - after that it gets easier.















Amphipolis: Please Post More Questions Here ...

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I really hugely appreciate the enthusiasm so many are expressing about Amphipolis, and the kind words so many of you have said about my little explanations.

But ... as much as I would like to answer everyone's emails and tweets individually, they are getting a just a little out of hand. I still have a huge back-log of emails on other subjects to answer ...

In order to keep the questions more manageable, could I possibly ask people to post them in the comments of this thread? I'll answer them as soon as I can!



The Temple of Mithras, London

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People, in my experience, are fascinated by archaeology. The History Channel wanted me to wear a push-up bra and a very short skirt to get people interested in archaeology,* but as Amphipolis today and this photo from London in 1954 shows ... that ain't the case! "An estimated 400,000 people visited the site in a two-week period" according to this article about the excavation:

BBC News - Temple of Mithras: How do you put London's Roman shrine back together?

Also:
If you have images or ephemera relating to the temple, contact
the Museum of London Archaeology on 020 7410 2266,
oralhistory@mola.org.uk or visit
www.mola.org.uk 


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* = I'm tired of people thinking I'm judging them because they choose to do TV and I won't. I honestly would happily do it if I could do decent things, but ... Anyway, this is one of my reasons for refusing to!

Amphipolis: The Measurements

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The big excitement yesterday was Michaelis Lefantzis' measurements:



I've been aware of the ratios - I think they were presented at the conference - but clearly his new fans were not from the response ... and that's why I welcome questions, because sometimes I forget to tell people things, and ... Amphipolis, as Katerina Peristeri has emphasised, is universal and of interest to everyone.

So yes, the Lion's height was in proportion to the diameter of the round wall.

And if the walls of ancient Alexandria were 15,840 m then these would have been 100 times the circumferance of the walls of the tomb at Amphipolis ...

Alexandria was founded by Alexander the Great, and his chief architect was Deinocrates; Deinocrates was responsible for the plan of Alexandria, presumably including the walls (Vitruvius II Praef), as well as the funeral pyre for Hephaestion.

Much of Alexandria was destroyed by an earthquake, and the city was continuously inhabited for centuries, so little of the city has been found. Alexandria became one of the largest cities in the world, so the assumption is that as the population increased, so did the walls - this need not be the case, as Rome's walls were not rebuilt between the reigns of Augustus and Aurelian.

In the mid 1st century BC Diodorus Siculus (17.52) wrote:
Alexander also laid out the walls so that they were at once exceedingly large and marvelously strong. Lying between a great marsh and the sea, it affords by land only two approaches, both narrow and very easily blocked. 
In shape, it is similar to a chlamys, and it is approximately bisected by an avenue remarkable for its size and beauty. From gate to gate it runs a distance of forty furlongs; it is a plethron in width, and is bordered throughout its length with rich façades of houses and temples.
His contemporary Strabo (17.1.7‑10):
The shape of the area of the city is like a chlamys; the long sides of it are those that are washed by the two waters, having a diameter of about thirty stadia, and the short sides are the isthmuses, each being seven or eight stadia wide and pinched in on one side by the sea and on the other by the lake.
There are many later sources, but whilst they differ slightly I'm going to ask people to trust that Michaelis has done his research!

One modern furlong is 201.16800 metres, and this is probably a translation issue but I don't have time to pop to the library ...* A stadion was 600 feet according to Herodotus, but the length of a foot varied from state to state, and so did stadia as a result. The Attic stadion of 185 m was adopted by Alexandria and became the standard.




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* = my books are still in storage, and those that are not are hiding post flood ... yes, H wouldn't let me move them in, and that's why I'm not going to be Mrs H ... ;-)

Blog Housekeeping

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Ministry of Culture press releases about Amphipolis can be found on their web site here. I'm happy to try to continue answering questions about them when I can, but could I please ask people to post the questions in the comments if they can, as I can't answer emails individually.

I'm normally vaguely willing to talk to journalists, ideally off the record, but I do not feel comfortable doing so about Amphipolis or active Loot Busters case - sorry. And as I often have to explain, if I knew about baddies doing x or y in a country, I'd tell the local ministry of culture or the police rather than a journalist. I am quite happy to go on the record about how bloody awful eBay is or how the Green Bible Museum is dodgy.

I'm always delighted to receive books from PRs, and either pass them on (usually to libraries) or keep them after a review. I'm a little confused about some of the other things some PRs have offered to send me, as I would never praise chia seeds or weight loss pills, but ... yes I have a lot of readers here and through Culture Concierge, and I'm always happy to try out new things and mention them if I like them.

I currently only use Amazon Affiliate links. I might add more, or I might not. It does not cost readers anything extra, and it makes it easier for me to add links - every once in a while I get a tiny percentage if people click through, and I buy myself a new book with the credit. If it bothers you, just buy the items elsewhere!

I love independent book shops, and I make a point of buying books that I would not have found otherwise through them. I am aware that some people are currently boycotting Amazon, but I'm mostly okay with the company. For those in London I highly recommend this (free) App for finding more amazing independent book shops ... and I'll be blogging about some of the ones I love soon.

The way Amazon Associates works is that if I recommend something, and you click through and buy it, I get a % of the price. For example I love and have Amazon Prime. If you click through these links below - Amazon UK or Amazon US - and try the 30 day free trial of Prime ... you get next day delivery in the UK or two-day delivery in the US, and streaming of some TV and movies (it's not as good as Netflix) ... I might  get $3 ... but my advice is to mark 29 days ahead when you start the trial, so that you remember to cancel it before you're billed. (For students in the US, this seems to be a better deal: Join Amazon Student FREE Two-Day Shipping for College Students ).

I only recommend books I've read and loved on the blog and in the newsletter; I sometimes tweet links to free or cheap books, not all of which I've read, because I tend to share the bargain when I find one ...

I didn't want to start a separate blog, so posts for my friends are clearly marked "Le Fluff et Le Puff" and continue after a break.

I'm going to be blogging more regularly about London, food and travel, and incorporating places I feature in the Culture Concierge newsletters - renamed Culture Cut - with this blog in the form of more detailed blog posts.

I have no current travel plans, although I am trying to build a US trip in March around a conference. I tend to go to Marrakesh at the start of the year for some sun, and love Morocco (it is very safe for women on their own). I also normally go to Athens at the start of the year, but that might be rescheduled as my friends seem to be digging elsewhere. So Istanbul might be on the cards instead ... Oh, and Paris. And anywhere else that appeals ... Anyway, there will be a lot more travel posts about hotels, restaurants and places I love in those cities.

I don't track page views or locations or anything else at LootBusters - the site is deliberately low tech as I want people to be able to look at material without worrying about tracking.

Most of the threats and hate mail I receive seems to originate at Cambridge for some reason, but I only pass on serious threats ... to be honest I ignore most of them.

I've set my Twitter account to not private, and it seems to be working rather well (one idiot blocked, nothing else unpleasant); @DorothyKing

I use DorothyLobelKing for Tumblr - My Little Tumblr - and Instagram, although I use neither terribly often. There are Culture Concierge and LootBusters Facebook pages, which I largely ignore, and I have very few 'friends' on Facebook that I'm not related to.

I don't 'pin' or FourSquare or use many other sites ... and whilst a woman in America has very 'kindly' signed me up to various other sites such as Over 60s Dating and Obese Dating and Adulterers R Us, obviously those are not my accounts - but I'm happy to provide people with her email if they'd like to contact her directly ...


Le Fluff et Le Puff ... Cult Beauty

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Cult Beauty is one of my favourite sources for lotions and potions because they gather up products they like from around the world, and they edit their choices, picking only products they like within the ranges. As with Space NK they regularly run 'gift with purchase' promotions once in a while, so I stock up when they do.

I tend to be wary of bath products which can mess with our bits, but I love this one. A little sprinkle in the bath and it smells of roses and transports one back to Cleopatra ...

Therapie | Joie Bath Infusion | Cult Beauty

I'd be delighted to receive this for Christmakkah!



Again, 'relaxing' candles often smell of eucalyptus (which I associated with trying to cover the stink in a Hammam) or lavender (which I associate with old ladies and moth-prevention) ... so candles can be an 'eek' gift.

Laboratory Perfumes | Gorse Candle | Cult Beauty

Laboratory Perfumes | Amber Candle | Cult Beauty

These two both smell divine and are not over-powering - again, I would be delighted to receive either!
I love the smell of monoi in the morning, afternoon and evening ... it takes me back to tropical islands. People can be vary of using oil, but I pour a little in the bath so that it coats the skin as you get out, and can skip the body lotion.

Elemis | Frangipani Monoi Body Oil 100ml | Cult  *

I love this balm as I have very dry, sensitive skin, and many other balms use a product to create a small allergic reaction that leads to 'puffy' lips, but this one doesn't! It is also matt, so you don't get that awful 'wet look' to your lips.

Nuxe | Reve de Miel Lip Balm | Cult Beauty







Again with creams, I'm a sucker for a pretty tub, but generally stay away from anything fancy or anything that says anti-X (anti-ageing, anti-oxidant) and stick to getting lots of moisture. This one works well on dry skin.

Embyolisse | Lait-Creme Concentre | Cult Beauty


I tend to be suspicious of products that promise x or y, but I tried a sample of this and was hooked - it really does make skin smoother than a baby's bottom! 

Resultime by Collin | Smoothing Resurfacing Mask | Cult Beauty
For those wanting to go organic, this is an amazing thick night cream (I tend to avoid SPFs as I have psoriasis and a little sun was recommended by the dermatologist, but SPF if currently recommended for day).

Dr. Alkaitis | Organic Night Cream | Cult Beauty

When I do go in the sun, for example Morocco, I make sure to use lots of good suncreams. Honestly the Boots own brand sunblocks are very good for the body, but when it comes to my face I want a little more and since I love the Eight Hour Cream range, I went for this (it doesn't have that strange smell of the original Eight Hour potion).

Elizabeth Arden | Eight Hour Cream Sun Defense for Face SPF50 | Cult Beauty

I don't 'get' the buzz about the Eve Lom balm cleanser, but I do like her cleansing mask - again, it is mild, and perfect for dry sensitive skin ... whilst most other masks make my psoriasis flare up, this one is gentle.

Eve Lom | Rescue Mask | Cult Beauty

I have very thick but very fine hair, which has a natural tendency towards looking like a haystack without a blow-dry ... and this is the only product I have ever found that works on the dry vaguely frizzy bits (I won't use those silicone-heavy products). I spritz a bit on towel-dried hair, and sometimes on dry hair, and suddenly am transformed into Princess Shiny Locks.

Sachajuan | Leave In Conditioner | Cult Beauty

I'm slowly working my way through the other products from the range. Don't like their shine serum. Quite like their scalp shampoo - the anti-dandruff shampoos are the worst thing for psoriasis, but this one isn't bad.

Sachajuan | Scalp Shampoo | Cult Beauty

And their intensive conditioner is amazing - I sometimes use it as a mask (slick on, brush through, forget for half an hour then rinse).

Sachajuan | Intensive Repair Conditioner | Cult Beauty

Other items I recommend are the Lipstick Queen lipsticks, although these are classic colours, colour can be subjective: Medieval is a great everyday lipstick, and Sinner in Wine is a classic deep burgundy.

Lipstick Queen | Lipstick in Medieval (Sheer Tint) | Cult Beauty

Lipstick Queen | Sinner Lipstick | Cult Beauty




Also ....

I love Korres products, and tend to stop off at their shop in Athens airport most trips. Cult Beauty have a limited range but: Shop Korres Skin Care | Cult Beauty

Also, kits are useful for travel sizes and trying out new products: Regimens and Kits - Skin Care | Cult Beauty



----------------

* = I fell in love with the Elemis products on Mustique, and they always remind me of the place ...
If you order them from the Elemis we site they often include samples or have offers such as Promotion:Spend £55 and get Tranquil Touch Body Polish 20ml & Gentle Rose Exfoliator 15ml free or Promotion: Spend £70 and get Tranquil Touch Body Polish 20ml, Gentle Rose Exfoliator 15ml, Tranquil Touch Creamy Body Wash 100ml & Hydra-Nourish Night Cream 20ml free
(I used affiliate links for Elemis).

Today in 63 BC: Gaius Octavius Thurinus Was Born

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He was adopted by Julius Caesar in his will and became Gaius Julius CaesarOctavianus in 44 BC, although we tend to know him better as Augustus, a titular name he received much later. His various names are discussed by Adrian Goldsworthy in his brilliant new biography of Augustus, who refer to him for part of the text as Caesar, as he would have been called by the Romans until 27 BC -  yes it is slightly disconcerting at first, but it is more 'authentic' and this is what makes Goldsworthy's book so interesting.

Because the month of Sextilius was renamed Augustus or August in honour of Augustus, just as Quintilis had been renamed Julius or July in honour of his father Julius Caesar, people sometimes assume that that was when he was born. In fact, the month was chosen according to Macrobius, (Saturnalia1.12.35) because that was the month in which many of his victories too place.

Adrian Goldsworthy on the birth of Augustus:
Birthdays were important in Roman culture, and were celebrated throughout an individual’s life. September was the seventh of the ten named months in Rome’s lunar calendar, for in archaic times the year began in March, the month of the war god Mars, when the legions used to set out on campaign. September 23 was for the Romans the ninth day before the Kalends of October, for they used a system based on days before or after three monthly festivals, the Kalends on the 1st, the Nones on the 7th, and the Ides on either the 13th or the 15th depending on the month. Lacking the number zero, the Kalends itself counted as one, and 23 September itself was included, hence the total of nine days. For the Romans the year was the six-hundred-and-ninety-first year since the foundation of the City (ab urbe condita) by Romulus.
The consuls took precedence on alternate months, and so it was Cicero who presided over a meeting of the Senate on 23 September. Suetonius claims that Caius Octavius arrived late because of the birth of his son, although since this provides the setting for another story where the birth of the ‘ruler of the globe’ is predicted, we need to be cautious. Perhaps the incident is wholly invented, although there is nothing inherently improbable in Caius Octavius’ late arrival [...]
In the meantime normal life continued, and on the night of 30 September Caius Octavius and Atia held a night-time vigil in their house. Rituals were performed, culminating in sacrifi ces and a formal purification ceremony or lustratio on the next day, the Kalends of October and nine days after their son’s birth. The purpose was to rid the baby of any malign spirits or other supernatural influences that might have entered him during the birth process. He was given a charm or bulla, usually of gold and worn around the neck, until he formally became a man. Afterwards, the flight of birds was observed by one of the priestly college known as augurs to gain some sense of the child’s future. Probably the parents were told that the signs were good. 
Only now was the boy formally named, and in due course registered in the list of citizens.
 
Hatchards in London has signed copies.
Augustus: From Revolutionary to Emperor - hardcover at Amazon UK
Augustus: From Revolutionary to Emperor - Kindle at Amazon UK
Yale hardcover at Amazon US - Augustus: First Emperor of Rome

The catalogue of the recent exhibition at the Grand Palais by Eugenio delle Rocca is also worth picking up; not only is it well written and illustrated, but French catalogues tend to be printed in short runs that sell out and soon become exorbitantly priced.

French Amazon still has 14 copies as I type: Auguste


Augustus' Palatine house recently reopened to the public after lengthy restoration: Emperor's frescoed rooms unveiled for first time in Rome - Channel NewsAsia



If you enjoyed this video by Adrian Murdoch, check out his book on The Emperors of Rome; Kindle UK, Kindle US, etc

Dolce Did Matadors

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Manet painted Victorine Meurent as a matador in 1862 (Metropolitan Museum), and it the look has regularly come in and out of fashion ever since (ten plus years back I had a dress by John Galliano for Dior with a heavily beaded shoulder and arm a la Matador ...). 

Dolce e Gabbana just presented their Spring 2015 collection. I had been thinking of popping over to Madrid to see a bull fight before the season ended, but now I might wait ... last time I wore a Las Meninas inspired Alaia and this time I had thought to bring an ancient Yves Saint Laurent ... Incidentally, the arena for bullfights works the same way the Colosseum did, with people flowing in and out, men renting out cushions for the seats - and anyone interested in ancient Rome should really go.


 

All photos of the catwalk presentation are from Style.com, and more can be browsed here.

This is the most wearable of the matador-inspired looks, and black is always easiest to incorporate into an existing wardrobe ...

Cropped boxy jackets may be more authentic, but the bolero is not good for most figures ... a long jacket is much more flattering.

Waists are back with a vengeance! As it the wide belt to accentuate them. This can be a tricky look for those of us without boyish figures, but belts with skirts or rather dresses have been in since the ancient Greeks for a reason ... they flatter curves.

The short-cut to the Spanish look is always red roses in the hair, tucked behind the ear. (see various 19th century paintings, Frida Kahlo, etc).


As always they presented the classic little black dresses that make them so popular (Although people often say Dolce e Gabbana design for curves, they cut for hips not boobs - I have a very similar dress from Beulah who does cut for boobs).

T-straps shoes are also back with a vengeance, and sex-up an otherwise demure suit whose jacket is inspired by Dior's New Look.

I'm finishing with this photo to make the point that fashion is cyclical. Post-flood I found an old Dolce skirt from years back in this print ... it was a pencil skirt lined in orange raw silk (their black items tend to be lined in leopard print) but ... plus ça change, plus c'est la même chose










For those that can't wait for the catwalk looks to hit the shops, Moda Operandi have developed a very clever model where one can pre-order looks to guarantee getting them.

Luis via Roma, an amazing shop in Florence just north of the ancient Forum, always have the best selection of Dolce e Gabbana online, and take pre-orders closer to the launch dates.






Le Fluff et Le Puff ... Anya Hindmarch

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I'm a big fan of Anya Hindmarch - both the woman and the brand - and have been picking up her bags since her first collection way back when she was on Walton Street ...

From her current collection, my favourites are this: Ship Imperial clutch | Anya Hindmarch




(also available as a little silk square)

Although perhaps this one might be more suited to some of the newer residents of Belgravia ... ?

Ariel Georgiana Clutch | Anya Hindmarch

(the white one is currently sold out, but the red version can be pre-ordered at Luisa via Roma).
And if you think her fashion show last week was a bit of a circus, you clearly have not seen Ellie with a balloon in one of her shops ... We walk past the Anya Hindmarch Bespoke shop on Pont Street so often, and pop in to order gifts ... that Ellie now just trots up to the door and raises her paw to ask for the door to be opened.

(And yes Ellie is hoping Anya one day reconsiders her request for a leash and collar).

I've been in England too long as I rather want this one too ...

Custard Cream | Anya Hindmarch


And if you think academics should be above such things, you should have seen how fascinated people were at a Society of Antiquaries dinner when I popped open my old Maud lined with a Kama Sutra print ...

The good designs sell out quite quickly, but Moda Operandi is currently running an Anya Hindmarch trunk show where they can be pre-ordered: for example, this one.

Her washbags and boxes are fabulous for fitting into gaps in suitcases when packing, although I admit the ones I use were all from British Airways ...


Amphipolis ... Tomb or Heroon?

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There are countless references in ancient sources to the Heroon of Mausolus, which was also a tomb and from which the term Mausoleum derives (first used for Augustus' tomb, although a recent find suggests it might have been used earlier).

The Lion at Chaeronea was a cenotaph not a tomb.

We keep using the word 'tomb' for Amphipolis - first the Lion Tomb, now the Kastra Tomb ... - but one interesting feature is the lack of a door. It may have been removed when the structure was sealed, but the lack of a door so far suggests the lack of a burial, and in conjunction with the steep steps this to me suggests increasingly that it was not a tomb but possibly a cenotaph or more likely a heroon.

Obviously it is too early to know for certain, but I am putting the suggestion out there.

As Shakespeare said:
What's in a name? that which we call a rose
By any other name would smell as sweet ....
I've maintained for quite some time that the colossal size of the structure suggests it was very unlikely to have been built for anyone other than Alexander the Great. Although the Mausoleum of Augustus was round, and seems to have copied it, there is a dearth of round Greek tombs; the shape was previously restricted for very important structures, many of which had cult purposes ... and the prime example was the tholos built by Philip II at Olympia and filled with family portraits.

The Philippeion had a diameter of 15.24 m or was roughly one tenth that of Amphipolis' 158.4 m diameter.

It was filled with portraits by Leochares, who had previously worked on the Mausoleum of Halicarnassus and created portraits for his successors Idrieus and Ada of Caria.

The round shape of the Amphipolis structure, the lack of a door and the sources which all say Alexander was buried in Egypt, to me all suggest that it was more likely to have been a heroon or cult of Alexander the Great with or without his ancestors and relatives, whatever it started life as.


The Amphipolis Caryatid ...

Don't Drink And Drive

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Very cute reminder from Budweiser


Life Can Be ... Too Fluffy?

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I realise that my life might seem strange to people. I read in papers and blogs that people complain that models "don't look like real women" but ... they do look like the women in my neighbourhood, because so many of them are or were models. Yes, it can make the rest of us feel a bit insecure at times, but c'est la vie ...

It's also home to some of the best dressed women in the world, so when glancing through this article ...

Things you only ever see women wearing at fashion week - Telegraph

... I thought "they do here" ... and worse not only can I name the designers of most of the items ...

... I've been admiring the bag top left for a while at the Box Boutique on Draycott Place.

Caroline bicycle basket bag black
 

Le Fluff ... Shopping the Runway

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Like a lot of women these days I tend to shop the internet, often at 3.47 am ... or browse or ...

I am a huge fan of Moda Operandi because it was a genius idea to allow women to pre-order looks from the runway, items that previously tended not to make it to stores as the store Buyers can be conservative and didn't order them, so they didn't go into production. Countless young designers are also thrilled with the business model as without the advances they too wouldn't be able to put certain items into production - and some fashion designers are artists so ...

My issue with pre-ordering is that my weight goes up and down a bit, so I'm never sure what size I'll be in six months, so as tempted as I might be by Martin Grant and Cédric Charlier ... but ... accessories solve that problem! From the current Trunk Shows my picks would be:



For day ... We all need a classic understate hobo without overt branding ... so this Marni one is perfect.

(click on images for details)

 
For evening ... A clutch is classic and goes with most things, but the shagreen makes the texture more interesting. Nina Ricci bags are always chic and very well made.


For holidays ... My pick would be the Aranaz Aranaz Palma Clutch. They're a new brand from the Philippines I would never otherwise have heard of.




A pair of Ancient Greek Sandals in a classic design will go with almost everything on holiday for day ...



Between these earrings and a smile, no-one will care what else you wear at night!

If you're going to go for a watch, this is perfectly understated ...





Back to bed ...


 * - I use affiliate links in this post.
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