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Sarah Bond: The Whole World in His Hands: Maxentius, Roman Scepters, and Power Symbols

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Christ enthroned upon the world.  San Vitale, Ravenna.
One of the most popular songs for Christian kids to sing in Sunday school is 'He's Got the Whole World in His Hands,' though it also became a favorite on the American folk music scene. I present to you here my favorite version, by Nina Simone. The purpose of the song is to provide comfort to believers that God holds the whole world, its people, and its animals firmly within his hands. As objects between his omnipotent hands, we should be consoled by the idea he has it all under control. Although songs can reinforce this idea, so can objects, and Roman emperors were no stranger to the use of iconography to advertise global subjugation--but also protection.

Roman scepter, likely of Maxentius.

One of the best examples of this is the use of an imperial scepter (Gr. σκῆπτρον "staff"; Lat. sceptrumwhich came to have a globe on top that represented the world. The only one that survives was found but a few years ago at the base of the Palatine Hill in Rome, wrapped in linen and silk. It perhaps dates (based off of stratigraphic levels) to the time of Maxentius--an imperial claimant ultimately defeated by Constantine at the Battle of the Milvian Bridge in 312 CE. Long before Maxentius, the scepter symbolized power and the imperium to lead others. 



Agamemnon and his staff. 
You can trace the origins of the scepter back to the staffs or rods used by Egyptian pharaohs and Near Eastern kings. If we forget any possible phallic symbolism (Thanks, Freud), the staff visually advertises leadership to individuals, but is also a mediatory object that illustrates the potentate's connection between the divine and the mortal. This is perhaps best illustrated by the staff of Agamemnon, which was allegedly created by Hephaestus. Hephaestus made it for Zeus, Zeus gave it to Hermes, Hermes to Pelops, Pelops to Atreus, Atreus to Thyestes, and finally Thyestes to Agamemnon (Il. 2.100-109). Since time immemorial, kings have needed to establish legitimacy and continuity, and, well, Agamemnon's staff invested him with both. Even after Agamemnon was gone, Clytaemnestra had a dream wherein Agamemnon takes the staff back from Aegisthus and plants it in the hearth where it buds. Okay, so maybe some phallic symbolism here. In any case! Let us focus on the fact that the top of the scepter buds and flowers, representing life and heredity. 

Leaf of a Diptych for the
consul Valentinianus (6th c.),
who holds a scepter and mappa.
Onward to Rome. The fifth king of Rome, Lucius Tarquinius Priscus (616-578 CE), is said to have had a gold crown, an ivory throne, and a scepter with an eagle on top which he carried while adorned in a purple robe. Key thing is that Priscus did not use these ornaments immediately, but waited until the senate and the people agreed on his ability to adopt them. After 509 BCE, when Rome had become a Republic, this practice was in part upheld by the two yearly consuls. These consuls had two symbols of power: the scepter--called a scipio, with an eagle on top--and, after the time of Nero, a mappa. This tradition carried on into Late Antiquity, and though the consules ordinarii were normally the emperors themselves in the later empire, some nobiles achieved the office. The Roman emperor's scepter represented a larger amount of power, but it is perhaps important to remember that he was not the only one to hold a scepter--at least until 541 when Justinian abolished the consulship altogether.

Allegedly under Augustus and his establishment of the Principate, the scepter again had a revival--though largely (or perhaps covertly) still as a symbol of the consulship. Yet it is worth remembering that as Zeus had a scepter, so did the Roman analog, Jupiter, and Augustus was always mindful of the power of associative iconography.This is nowhere more evident than in the famous Grand Cameo of France, which dates to the reign of Tiberius. The scepter of Tiberius, who sits firmly in the center of the cameo, along with his mother and the wife of Augustus, Livia, connects visually with the scepter of the divine Augustus, who flies overhead. It is also worth noting that the scepter bears a strong resemblance with the spear that emperors are frequently depicted as carrying (e.g., the Augustus of Prima Porta).

Coinage was another medium where the scepter featured prominently, along with another object, a globe. On coinage, Roman emperors are often depicted as the rector orbis, the ruler of the world, which appears (if my numismatic research is accurate) to crop up around the time of Didius Julianus (r.193 CE) . This would be a familiar depiction on coinage from then on, and demonstrates not only that Greeks and Romans knew that the world was round (!), but that Roman emperors and usurpers often cast themselves as rulers of the world and not just the Roman empire. Didius Julianus' reign actually only lasted a few months, but his legacy persisted in terms of numismatic iconography. Only a few years later, Caracalla would be calling himself rector orbis on coins and carrying a scepter as well.

Ref Didius Julianus Aureus.  RIC 3, Cohen 14v, BMC 7

Detail of Roma holding a globe from the Peutinger Map (Tetrarchic date, and yes, I stand by this). 
It was only a matter of time before the two coalesced into one, as we see with the scepter of Maxentius. As the globe personifies, what is on top of the scepter is important to understanding the worldview of the emperor. The later Byzantine emperor Phocas, for instance, popularized the use of crosses on top of scepters--which served to advertise his Christian identity and legitimacy. 

Phocas, AV Solidus, 603-607 CE, Constantinople, Officina 7


I have surely left out many references and connections (e.g., the fetial priests!), but this overview was just meant to contextualize a great find. I know that from now on, I will look at regalia just a little bit differently, and always make sure to note what adorns the top of the scepter.
Scepter of Charles V (c.1379-1380).



TV: Bible Secrets Revealed

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There are some very good colleagues in this, so if you're in the US and are home on the 11th, watch it! Or record it.

The preview of Monday's is here in a new window - or this older one is below.

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Historvius for iPad

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Those lovely people at Princeton very kindly offered us the Barrington Atlas iPad App for review, and I can't wait to see it on the 21st.

But there are also some other interesting Apps out there, including

ROMAN RUINS HD FOR iPAD:
VIRTUALLY EXPLORE THE VERY BEST ROMAN RUINS IN THE WORLD

The with a promotional launch price of $4.99 / £2.99 (Standard $9.99 / £5.99).
 
The people who are listed as contributing photos are people who are already active contributors of Classical photos on Flicker, and ... I'd also encourage readers to sign up and upload their own images.

The link above is to their web site; the direct iTunes store link is here.

Late Antique Ganymede Stolen From Carthage

Virtual Tivoli ...

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Roman emperor's virtual villa to be unveiled Friday:
Indiana University's first archaeo-informaticist, Bernie Frischer, will bring to life one of the Roman Empire's best-known and best-preserved imperial villas -- Hadrian's Villa -- during a public launch of the Digital Hadrian's Villa Project on Friday, Nov. 22, in Washington, D.C.

Prof Bernie Frischer was kind enough to let me look earlier this year and it is amazing.

Philippines info on Ricardo and Policarpio Castillano?

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One of my oldest friends is from the Philippines, and is getting very concerned. I've Tweeted this info, but maybe blog readers might ...

Violeta Castillano, has not been able to contact either of her brothers who live in Barangay Gacao in Palo, Leyte, south of Tacloban. Her brother's names are Ricardo and Policarpio Castillano and their contact number is +6353 341 8043. If anyone has any information about them, please let me know.

Obviously I'll pass on any info etc.

Sarah Bond: Girls with Pearl Earrings: The Pearl Trade in the Roman Mediterranean

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Roman, 2nd century AD
Mummy Portrait, Antinoopolis (Egypt)
Now at the Harvard Art Museum
If there is one person within the ancient literary record known for disliking pearls, it was Pliny. Where many saw gleaming white objects to be used in jewelry, Pliny saw only immorality and luxury. This is probably best illustrated by the story related by the natural historian (NH. 9.119-121) that Cleopatra owned the two largest pearls known in the late first century BCE, and, in an attempt to throw the most lavish dinner party (one costing 10 million sesterces!), took one out of her ear, plopped it in a vessel full of vinegar, and--like an alka seltzer--drank the pearl. The story is--like many stories about women and jewelry in antiquity--meant to demonstrate Cleopatra's excessive opulence and moral deprivation. 

To truly appreciate Cleopatra's choice of hors d'oeuvres, one must also consider that attaining pearls in antiquity was a much more difficult endeavor than today. Since the early 20th century, pearls have lost much of their value due to the ease with which we can now manufacture them. However, in antiquity, they were difficult to attain and often travelled over vast distances. In Latin, they are generally called a margarita and in Greek a μαργαρίτης (a bit of classics trivia I tend to break out at Mexican restaurants). Many of these pearls were imported at great expense from the area of southern Babylonia and the Persian Gulf, but pearls could also come from the area of the Red Sea, Indian Ocean, and other parts of India. Even Britain had some, though they were of lesser quality and prestige. 

Although knowledge of pearls existed long before, the late antique historian Ammianus Marcellinus (22.6.84) notes that after the conquest of Lydia in 546 BCE, pearls were one item that became popular within the Persian empire. Ammianus further notes (erroneously) how they are made: "For at that time they desire, as it were, a kind of copulation, and by often opening and shutting quickly they take in moisture by sprinkling with moonlight" (Ibid. 85). Through this method, the shells became pregnant. Despite the lack of veracity, it is a lovely story that helps us to understand the ethereal wonder surrounding pearls in antiquity. 


Inscription noting Asterius, son of a pearl dealer [Naro, Africa Proconsularis]
(CIL VIII, 12457b = ILCV 4940B)
As is my way, I am often more fascinated by the traders in various commodities than in the commodities themselves. Dealers of pearls in the Roman empire were often termed a margaritarius or collectively called margaritarii. These pearl dealers could be found on the Via Sacra in Rome (perhaps near the Porticus Margaritaria) and in many other large cities within the empire. 

We do not know the exact 

location of this Porticus, since it is based solely off a citation in the regionary catalogues (Regio VIII), but the map presented here is one guess.

Elite Romans within the city appear to have had a voracious appetite for eastern luxuries in the early empire. Horace notes that wealthy women often lined their clothing with emeralds and pearls, and many an elite male tied pearls to moral decline. Yet far beyond their being seen as symbols of luxury, greed, or narcissism, pearls were a symbol of the vast trade network within the Roman empire. Although Pliny cast pearls as an emblem of decline, I can only view them as a symbol of economic capability and opportunity. 


Mosaic of the empress Theodora, from Ravenna.


Christmas vs. Chanukah

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(I'm not sure who wrote this, but my uncle sent it to me, and ... Happy Holidays to those celebrating from tonight)

Christmas vs. Chanukah

Just in case anyone asks you what the difference is between Christmas and Chanukah, you will know what and how to answer.

1. Christmas is one day, same day every year, December 25th. Jews also love December 25th. It's another paid day off from work. We go to the movies and out for Chinese food and Israeli dancing. Chanukah is 8 days. It starts the evening of the 24th of Kislev, whenever that falls. No one is ever sure. Jews never know until a non-Jewish friend asks when Chanukah starts, forcing us to consult a calendar so we don't look like idiots. We all have the same calendar, provided free with a donation from the World Jewish Congress, the kosher butcher or the local Sinai Memorial Chapel (especially in Florida ) or other Jewish funeral homes.

2. Christmas is a major holiday. Chanukah is a minor holiday with the same theme as most Jewish holidays. They tried to kill us, we survived, let's eat.

3. Christians get wonderful presents such as jewelry, perfume, stereos, etc. Jews get practical presents such as underwear, socks or the collected works of the Rambam, which looks impressive on the bookshelf

4. There is only one way to spell Christmas. No one can decide how to spell Chanukah, Chanukkah, Chanukka, Channukah, Hanukah, Hannukah, etc.

5. Christmas is a time of great pressure for husbands and boyfriends. Their partners expect special gifts. Jewish men are relieved of that burden. No one expects a diamond ring on Chanukah

6. Christmas brings enormous electric bills. Candles are used for Chanukah. Not only are we spared enormous electric bills, but we get to feel good about not contributing to the energy crisis.

7. Christmas carols are beautiful: Silent Night, Come All Ye Faithful. Chanukah songs are about dreidels made from clay or having a party and dancing the hora. Of course, we are secretly pleased that many of the beautiful carols were composed and written by our tribal brethren. And don't Barbara Streisand and Neil Diamond sing them beautifully?

8. A home preparing for Christmas smells wonderful - like the sweet smell of cookies and cakes baking. Happy people are gathered around in festive moods. A home preparing for Chanukah smells of oil, potatoes and onions. The home, as always, is full of loud people all talking at once

9. Christian women have fun baking Christmas cookies. Jewish women burn their eyes and cut their hands grating potatoes and onions for latkes on Chanukah. Another reminder of our suffering through the ages.

10. Parents deliver presents to their children during Christmas. Jewish parents have no qualms about withholding a gift on any of the eight nights.

11. The players in the Christmas story have easy to pronounce names such as Mary, Joseph and Jesus. The players in the Chanukah story are Antiochus , Judah Maccabee and Matta whatever. No one can spell it or pronounce it. On the plus side, we can tell our friends anything and they believe we are wonderfully versed in our history

12. Many Christians believe in the virgin birth. Jews think, "Yosseleh, Bubbala, snap out of it. Your woman is pregnant, you didn't sleep with her, and now you want to blame G-d? Here's the number of my shrink.

13. In recent years, Christmas has become more and more commercialized. The same holds true for Chanukah, even though it is a minor holiday. It makes sense. How could we market a major holiday such as Yom Kippur? Forget about celebrating. Think observing. Come to synagogue, starve yourself for 27 hours, become one with your dehydrated soul, beat your chest, confess your sins, a guaranteed good time for you and your family. Tickets a mere $200 per person. Better stick with Chanukah.

This explains a lot. Happy Chanukah and Merry Christmas.

Scholar fights to keep Jewish artifacts from returning to Iraq - latimes.com

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Scholar fights to keep Jewish artifacts from returning to Iraq - latimes.com:

Harold Rhode's elation at finding the trove during the Iraq war has since turned to outrage that the salvaged texts might go back.
I couldn't agree more: 
When summer comes, however, they are to be returned to the Iraqi government, an ending that Rhode likens to giving the personal effects of Jews killed in the Holocaust back to Germany.
And I said pretty much that here in the Summer of 2011 - where I also pointed out that if the Iraqis want the 1970 UNESCO Convention to be applied when returning looted items to them ... then they should also apply it in this case and return it to the Jewish families and community they stole items from.

Sarah Bond: Power of the Palindrome

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Jasper amulet from theUM collection with
"Ablanathanalba" inscribed.
 
As I browsed through theUniversity of Michigan magical amuletcollection this morning (as one does), I was reminded of the power of the palindrome. Sure, we all know "race car", and perhaps not a few of us have engaged in party palindrome competitions (grad school is a time of great innovation and dorkitude, folks)--but what about the power of the palindrome in antiquity?

First, let us start with the word itself. The word παλίνδρομος is Greek for "running back again." A dromas was a runner (cf. a type of camel called a dromedary). Palindromes were often used in magic and could be very flexible in application. They retained their power whether read backwards or forwards. The use of Ablanathanalba was popular particularly on defixiones and amulets, and may have Hebrew origins, according to the glossary to the Greek magical papyri. For sure, it was altogether easier to fit on an amulet than the popular:

 iaeô baphrenemoun othilarikriphiae u eaiphrikiralitho nuomenerphab ôeai 

Long palindromes such as this are especially tricky and impressive, but let me emphasize that the import of the palindrome often lies in its visual nature. It is seeing the symmetrical nature of the word that gives it some degree of power.

Digestion amulet from Egypt with the
iaeô formula. Galen suggested wear-
ing these near your stomach.
One of the most famous instances of a palindrome is the so-called 'Sator Square.' It is an acrostic that takes the palindrome to a new level, and reads: 

Sator Arepo tenet opera rotas. 
CIL IV, 8623 (= Cooley D85)
"The planter, Arepo holds the wheels with effort." 

The most famous example is a graffito from a column at PompeiiOf course, much like clouds or ink blots on a page, palindromes are often what you want them to be. The Sator Square carried on into early Christianity in part because one could make out the words:

"Pater Noster A-O" 
Our Father (is) Alpha and Omega


Many modern scholars (though the number is waning) continue to argue for the presence of early Christians in Pompeii due to the graffito square. There may have been Christians in Pompeii, but this square is not a Christian construct, in my humble opinion. In any case, the popularity of the square continued on in the middle ages and the early modern period, and crops up in odd places, including this 16th/17th century skull. 

One of my favorite examples of wordplay is a theory surrounding two slaves named "Amor" and "Roma." The ingenious Kent Rigsby (If you have time, read this!) suggested a master who loved palindromes and wordplay could name his slaves this. Of course, in the middle ages, "Roma summus amor" was popular. If I ever got a tattoo, it'd probably say that, actually.

As you may be able to tell, it was a lazy Sunday here in  the snowy midwest, but I was cheered thinking about these potent palindromes, which continue to fascinate readers even today. Add your favorite in the comments---I'd love to add to my collection.

November 7th: ARCA in London

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Details about the Association for Research into Crimes against Art symposium at the V&A can be found here.  People who work actively in art crimes, such as the brilliant Charlie Hill, will be speaking, as well as theorists and researchers.


Win the Barrington Atlas of the Greek and Roman World app

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Firstly, this App is pure genius. I'd recommend it to everyone, whether they're involved in archaeology and Classics or just interested in the field. I will do a full and proper review when I am blogging again (a few tragedies have gotten in the way recently).

But I just wanted to mention this quick contest that Princeton are doing this week-end.

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"Princeton University Press is giving away 5 copies of the Barrington Atlas of the Greek and Roman World app this weekend. The giveaway actually ends on Monday at 10:00 AM and winners will receive their promo codes by noon on Monday, December 23.


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If you want to enter please do -  but ... if you ever glance at this blog you're probably already interested in the ancient world, and you deserve to give yourself the Barrington Atlas App this Christmas. As L'Oreal used to say, you're worth it - and so is the App.

All I Want for Christmas Is... Jews

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Okay, so technically I'm not sure I'm quite up to dating yet but ;-) ...

Merry Christmas Y'all

A Rogue Classicism Christmas ...

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David Meadows sent this out ten years ago, and like the great Classics it is still fabulous today. He's been running one of the best Classics and Archaeology blogs for as long as anyone can remember, so do read it: rogueclassicism.com

Sarah Bond: From Monarchs to Miley: Dwarfism on Display in Antiquity

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Miley dancing at a recent Christmas concert.
It took me only until the 100th time I glimpsed at a picture of Miley Cyrus to write this post. However, I am not here to condemn her for her racy video choices, her dancing, or her facial expressions. Rather, I would like to emphasize that her recent fascination with the use of little people in her shows is really anything but novel. It is also anything but cool. 

Last week, the Ancient Studies Podcast had an episode exploring an article about the skeletal evidence from Rome for dwarfism found in a necropolis outside the city. This article, combined with some recent tabloid consumption and a number of new books on the subject of physical deformity in antiquity caused me to ask a bit more about not only their use in spectacle, but the broader perception of these individuals in classical antiquity.

Attic red figure (ca. 440 BCE). Youth and
servant dwarf . Now at the Boston MFA.
Much like today, antiquity was obsessed with depicting the beauty of the human form. Corporal anomalies also drew curiosity. Dwarfism was the most depicted of bodily disorders. In Greek, a dwarf was called a νᾶνος. Little textual evidence for these individuals survives outside of myth, but pottery does transmit a number of depictions. They suggest that little people could be used as servants and were perhaps also used in entertainment troupes hired for symposia. They were often associated with satyrs and with the god Dionysus. Little evidence survives that indicates extreme marginalization from society. There seems to be a curiosity surrounding these individuals, however, though the surviving record is inconclusive. A belief prevailed that their phalli were abnormally large. Aristotle in particular (HA. 6.24) notes that, much like mules, dwarfs had large phalli. As a result, ceramic figurines of dwarfs may have served an apotropaic purpose in addition to being comical.


A dwarf boxer figurine
(Roman, early imperial)
Now at the Getty Museum.

It was Rome who took the display of dwarfs to new levels, particularly within the games. Although there is a broad vocabulary, they were most often called a pumilio or pumilus. Suetonius (Aug. 43.3) notes that Augustus displayed a dwarf named Lycius as a curiosity because he was two feet tall and only 17 pounds. If we think of the games as a kind of curiosity cabinet where both rare animals and humans could be displayed, then we can better understand the purpose of them in these spectacles. Women were often paired with dwarf athletes in non-fatal matches that served to amuse viewers for their inversion of the traditional gladiatorial fight.  

Outside the arena, they continued to be used as servants to the elite. As rare (and thus status-laden) bodies, they were especially elite within some aristocratic households. Augustus' granddaughter, Vipsania Julia, was said by Pliny to have the biggest house and the smallest dwarf to serve her. These juxtapositions in size were amusing to Roman writers, but were equally amusing to Roman crowds, it seems. Elagabalus also employed a number of eunuchs and dwarfs to be ogled at.  


Mosaic of a dwarf boxer (Roman, 1-200 CE)
British Museum. 
Rather than focusing on just the dwarfs used for spectacle, I want to close by pointing out that there were some that carried on normal, successful lives. Philetas of Cos served as a tutor to Ptolemy II, for example,  and within eastern monastic narratives, the fourth century monk John the Dwarf is celebrated for promoting basket weaving as a way to stave off idleness and sloth. 

I urge you to go and explore the large amount of scholarship on disability and bodily deformity in antiquity that is currently being produced. I would also encourage us to reconsider the use of these little people as show-pieces on display. I think back to Kid Rock's use of little people and Miley's current fascination with them and think: we are better than this. No matter what the size, shape, or color, the body should be accepted rather than used as a showpiece or curious anomaly for the viewer's pleasure. 

Further Reading:

S. Brunet, "Dwarf Athletes in the Roman Empire," AHB 17 (2003), 17-32; "Female and Dwarf Gladiators,"Mouseion 4 (2004), 145-170. 

V. Dasen, Dwarfs in Ancient Egypt and Greece (Oxford, 1993 [2013]). 



L. Trentin, "Deformity in the Roman Imperial Court," G&R 58.2 (2011), 195 ff. 


Welcome to 2014

Sarah Bond: Do You Think That's A Bad Sign? : Birds and Omens in the Roman Empire

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Mosaic depicting Mithras
with a raven (1st c. CE).
Walters Art Museum.
Today was not a good day for birds of peace, or so it seems at first glance. In a service at Saint Peter's, two children released doves alongside the Pope as symbols of hope and peace amid the turmoil in Ukraine. After their release, a crow and then a seagullquickly attacked the birds. Though it appears the doves may have gotten away, social media outlets were quick to note that the sight was a "bad omen." This led me to think a bit about birds and divination, and to ruminate on whether this sight would have been viewed as negative in Roman antiquity.

Cameo of Jupiter astride an eagle
(1st c. BCE-1st. c. CE)
Metropolitan Museum of Art, 
On the day of April 21, 753 BCE, Rome was born. It was on that day that Romulus undertook the auspices--a bird watching--alongside his brother Remus. While Remus saw 6 vultures, Romulus saw 12. As Plutarch notes, Romans tended to have a strong trust in vultures and it was indeed a rare sight to see one (Plut.Rom.9.6-7). Whereas vultures have a negative connotation today due to their scavenging (I personally blame the Jungle Book), Romans did not have the same bias. I'd venture to guess that if a Roman and a modern American (or perhaps Canadian) both viewed vultures in the sky, each would have a different reading of the event.

Marble altar dedicated to
Jupiter, the Sun, and Serapis
by a augur (3rd c. CE)
In any case, Romulus was the clear victor in the brotherly competition, but when Remus came to believe that Romulus cheated, he was enraged. The subsequent brawl ended with Remus dead, possibly at the hands of his brother. Besides playing an integral part of Rome's foundation myth, the vulture viewing served to activate Rome's auspicia publica, along with the ability to interpret the divine will of Jupiter. Although there are differing interpretations, Romulus appears to have appointed three augurs and then another king of Rome, Numa Pompilius, formally began the college of augurs (Liv. 4.4.2). In terms of its role in Roman religion, Cicero argued that the augurate was of the highest importance to the republic, though, as one would guess, he was also an augur himself.

Reverse of a denarius of Sulla
with lituus and pot (84/3 BCE)
Münzkabinett der Staatlichen
Museen zu Berlin
In terms of the taking of the auspices, usually, a templum was drawn out in the sky by the augur with his special staff, a lituus, and the sky marked off east to west, north and south. The augurs were concerned with signs ex caelo (out of the sky) and ex avibus (out of the birds). Thunder and lightning fell under the umbrella of ex caelo, and were of the highest import to the state. The birds that fell within the second type included vultures, crows, ravens, owls, eagles, and hens, which themselves were divided into birds that sang their message and those that flew in order to transmit divine will. The auspices also came in two types, those directly sought by the augur, impetrativa, or those simply dispersed by the gods, oblativa. Popular assemblies and meetings of the senate needed favorable auspices, as did inaugurations of certain buildings and officials. Even weddings were preceded by the taking of the auspices. Planned auspices were only valid for a day and were usually taken between midnight and dawn.

Arian baptistry, Ravenna, Italy. 
Notably, according to these laws, this was one of the oblativa signs, but the seagull and the doves flying at St. Peter's fall outside the normal birds interpreted by the augurs. Gulls and pigeons (sorry, doves) don't fall into this rubric and thus the only bird that matters in this scenario is likely the crow. If he flew to the left, this was auspicious, to the right, inauspicious (Cic.Div. 1.39). If someone has some insight on what the pictures show, I'd love to hear it.

I wanted to take this opportunity not only to explore the College of Augurs, but to show how birds can change in meaning over time and culture. Me? I am going to choose to believe that the doves got away and that the crow is a sign that the upheavals in Ukraine will come to a peaceful resolution. Truth is, I am not an augur and neither are you. Constantius' edict of 357 CE (CTh. 9.16.4) put an end to the College of Augurs and the last known augur, Lucius Ragonius Venustus lived only into the 390s.


The Apollo of Gaza

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It's a controversial piece because it was found in the sea off the Hamas-controlled Gaza Strip - and because it was briefly listed for sale on eBay (in violation of US law, not that eBay usually has any issues with hosting the sale of looted antiquities).

Hopefully international museums will get around the barriers seemingly preventing co-operation in restoring this piece, but meanwhile there are worries that it might end up being illegally sold on the black market so the Palestinian authorities have asked that photos of the statue be disseminated to prevent this.

There are questions about the find spot - my gut says a temple or similar ancient building which is now under shallow water - and the date (almost certainly a Roman copy of a Greek original rather than a Greek original) of the statue, but one thing is certain: it is a magnificent ancient bronze, and it belongs to the Palestinian people.

More details in this Bloomberg story:
http://mobile.businessweek.com/articles/2014-01-30/hamass-ancient-bronze-statue-the-apollo-of-gaza

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Charlemagne's bones are (probably) real ...

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After much research, archaeologists have confirmed that the bones in the tomb of Charlemagne - a re-used Roman sarcophagus - are of a tall, old man and so ... Not inconsistent with historical accounts of his life, and so ... probably his.

I've blogged before about one of the Merovingian queens at St Denis, but outside Egyptology the actual remains of very few historical big-wigs' remains have survived so this is big news.

http://m.thelocal.de//20140131/charlemagne-bones-proven-genuine-1200-years-later

Some elaborate Byzantine silks used as shrouds of contemporary saints survive in France, so it would be interesting to know more about the artifacts that survive.

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Carphone Warehouse Legal Claim 8QT64981 and new nonsense

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Dear Buchanan Clark & Wells,
 
Your Ref B22076767
 
I received a letter from you today claiming that I owed your client Telefonica UK Ltd £506.79.
 
I have not ignored previous letters from you as you claim, nor am I aware of any contract with either Telefonica UK or Telefonica 02 UK Ltd.
 
I have in the past had contracts with Carphone Warehouse, but the last one I cancelled under their own terms of contract and ended in full accordance with English law, in early November. I ended the contract under the cooling off clause and returned the new Blackberry to Carphone Warehouse King's Road for the simple reason that my phone was cut off for a day and I had been clear that my only condition for renewal was that I needed to be in contact with people because my best friend was dying and I was helping nurse her through the final stages of cancer.
 
Please don't bother to send bailiffs to this address to intimidate us, as without a court order they can do nothing more than bully and we will simply call 999.
 
Carphone Warehouse have a long history of not checking the PO Box to which letters cancelling their contracts are sent, which they have admitted to me in the past – I believe the gentleman who did so was named Layo Ayeni. They also have a long history of using credit collection agencies to intimidate people who cancelled their contracts, and these agencies bully people who do pay up because they don't have the time to keep fighting it. In fact, the last time Carphone Warehouse claimed I had agreed to a contract with them, I was able to point out that that was very unlikely as on that date I had been in hospital with malaria, so they agreed to settle.
 
So I will not be communicating with you any further. I know that you will ignore these points, but I would like them to be on the record when we go to court so that no more ludicrous claims can be made.
 
Without prejudice,
 
Dr D King
 
PS – you should probably also decide whether I'm a Sir or a Madam, and if the latter then it's probably a police matter.
 
PPS - Oh and could you remind that nice Mr Ayeni at Carphone Warehouse that he still hasn't sent me a cheque from the settlement we agreed in 2008 (Legal Claim 8QT64981), which rather invalidates it, so I can easily re-file that claim ... and this time there will be no settling.
 
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